YO:MA CONCRETE OR BEACHES, THE DEATH AND RISE OF ARCHITECTURE. FROM SAND YOU HAVE COME. TO SAND YOU SHALL RETURN.FROM A BROAD PALETTE OF WONDROUS MATERIALS THAT IMPLODES THE LIMITATIONS OF STANDARD SOLUTIONS, YOU SHALL RISE AGAIN. THE WORLD CAN'T SUSTAIN ONE-WAY THINKING, JUST AS IT CAN'T SUSTAIN ONE-WAY CONSUMPTION, AS THIS LEAVES THE WORLD TREMBLING ON ONE LEG, CREATING A SHAKY FOUNDATION.IN THE SAME WAY THAT THE STEAK ON YOUR PLATE IS FINDING ALTERNATIVES, SO IS THE SANDWICH ELEMENT OF THE WALL. WHAT WAS ONCE LIMITED BY A GIVEN IS NOW A DIVERSE PALETTE OF OPTIONS, ALLOWING FOR FURTHER CONSIDERATIONS INTO LOCAL RESOURCES, CLIMATE, AND THE NEEDS OF PEOPLE, AND IT ALL SEEMS BEAUTIFULLY CHOREOGRAPHED AS THE VARIOUS ELEMENTS ALIGNS, REWINDING ARCHITECTURE AND THE WORLD AHEAD.
yoma.emptylands



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We try to compose our lives with the most clarity possible, seeking to solve the riddles coming our way, clearing out the intricate complications, shifting our perspective when things seems too rigid, too stuck. When the composition is clear it can absorb both simplicity and complexity, as it can contain both beauty and discomfort. We try to align ourselves with the outside structures, until the point where we are deemed to create them ourselves in order too remain flexible, soft and open. Our limited processing of all available information, makes its necessary to translate our own psychological sphere into a landscape of rather uncanny yet inviting structures.

Juxtapositioning the 3 paintings next to each other hightens each of their own qualities, while exposing qualities across which was not before noticed.

The change of color signifies an interesting element in the perceptual difference color can make, in understanding the same geometrical landscape, this being any situation in life or a psychological moment as this can be rendered differently and therefore be perceived anew.