YO:MA CONCRETE OR BEACHES, THE DEATH AND RISE OF ARCHITECTURE. FROM SAND YOU HAVE COME. TO SAND YOU SHALL RETURN.FROM A BROAD PALETTE OF WONDROUS MATERIALS THAT IMPLODES THE LIMITATIONS OF STANDARD SOLUTIONS, YOU SHALL RISE AGAIN. THE WORLD CAN'T SUSTAIN ONE-WAY THINKING, JUST AS IT CAN'T SUSTAIN ONE-WAY CONSUMPTION, AS THIS LEAVES THE WORLD TREMBLING ON ONE LEG, CREATING A SHAKY FOUNDATION.IN THE SAME WAY THAT THE STEAK ON YOUR PLATE IS FINDING ALTERNATIVES, SO IS THE SANDWICH ELEMENT OF THE WALL. WHAT WAS ONCE LIMITED BY A GIVEN IS NOW A DIVERSE PALETTE OF OPTIONS, ALLOWING FOR FURTHER CONSIDERATIONS INTO LOCAL RESOURCES, CLIMATE, AND THE NEEDS OF PEOPLE, AND IT ALL SEEMS BEAUTIFULLY CHOREOGRAPHED AS THE VARIOUS ELEMENTS ALIGNS, REWINDING ARCHITECTURE AND THE WORLD AHEAD.
yoma.emptylands



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selection of work
CHART ARCHITECTURE. COMPETITION 2024
PHOTOGRAPHY. ISTANBUL 2024
2023. COLOURED VOLUMES, ACYLIC ON CANVAS 60*50 YANA OSTAPCHUK

“FINGERPLANEN” 2.0 VISION OF COPENHAGEN 2024
A HOUSE  YOU SAY GOODMORNING TO AND HUG WHEN YOU COME HOME
MUSEUM OF EMOTIONS. COMPETITION
CONCRETE OR BEACHES. SERIES OF POSTERS EXPLORING LOSS OF BEACHES
COA. VISUAL IDENTITY
2022. GEOMETRIC LANDSCAPES, ACYLIC ON CANVAS 90*130 YANA OSTAPCHUK

DATA REFUGE. COMPETITION
THE BLACK BOX. REFSHALEØEN. RECORDING BUILT MILIEU
2023. COLOURED VOLUMES, ACYLIC ON CANVAS 60*50 YANA OSTAPCHUK
COMPETITION 2023. OBSERVATION TOWER AS COMUNITY SPACE. SOUTH DAKOTA
THIS HOUSE IS NOT FOR SALE. LAGOS. 2017 PRE BIENALLE
PHOTOGRAPHY. ILLULISAT 2024
CHART ARCHITECTURE. COMPETITION 2024
BATTALION OF PEACE IS A FILMPROJECT - SEE YOUTUBE OR UNDER OBJECTS
PHOTOGRAPHY. LONDON 2012
MUSEUM OF EMOTIONS. COMPETITION